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Projects

Rehabilitation of Santa Caterina Market, Barcelona. 1997-2005 Rehabilitation of Santa Caterina Market, Barcelona. 1997-2005 Santa Caterina market. Barcelona Santa Caterina market. Barcelona Rehabilitation of Santa Caterina Market, Barcelona. 1997-2005

On 21, Jan 2013 | In | By EMBT

Rehabilitation of Santa Caterina Market, Barcelona. 1997-2005

The chance of taking about new and old creates the first ambiguity. The shape of the building has an intricate relationship with time.

DOMUS Museum, A Coruna, 1993-1995 DOMUS Museum, A Coruna, 1993-1995 DOMUS Museum, A Coruna, 1993-1995 DOMUS Museum, A Coruna, 1993-1995 DOMUS Museum, A Coruna, 1993-1995

By Isozaki Atelier

On 20, Jan 2013 | In | By Isozaki Atelier

DOMUS Museum, A Coruna, 1993-1995

DOMUS – To insert a building into a site means not just giving it a geometry that allows you to easily fit it into topography of the land. It also means a fortuitous, but also with its inhabitants. The building’s encounter with the existing rock mass is entrusted to a series of spaces of varying functionalities and varied formal configurations who act as poles of a magnetic field whose centre is the building; within its context and shelter, these spaces are configured and organised.

Restaurant Gallego, Oita, 1999 Restaurant Gallego, Oita, 1999 Restaurant Gallego, Oita, 1999 Restaurant Gallego, Oita, 1999

By Cesar Portela

On 31, Dec 2012 | In | By Cesar Portela

Restaurant Gallego, Oita, 1999

Oita city, hosting in Japan and Korea the World Cup in 2000, built a series of facilities for the city. The Galician restaurant was designed in the new building for the Museum of Modern Art.

Block no.14 of Malecón, La Habana, 1998 Block no.14 of Malecón, La Habana, 1998 Block no.14 of Malecón, La Habana, 1998

By Cesar Portela

On 31, Dec 2012 | In | By Cesar Portela

Block no.14 of Malecón, La Habana, 1998

In 1998, the office of the Malecón Rehabilitation of Havana undertook a project to rehabilitate the Malecon apples in collaboration with the different Spanish regions. The block no.14 was assigned to the Autonomous Community of Galicia.

Santiago de Compostela University Park, 1995 Santiago de Compostela University Park, 1995 Santiago de Compostela University Park, 1995 Santiago de Compostela University Park, 1995

By Cesar Portela

On 01, Dec 2012 | In | By Cesar Portela

Santiago de Compostela University Park, 1995

To commemorate the V Centenary of the University of Santiago de Compostela, the Consortium of Santiago, according to the urban redevelopment of the historic city, conditions an historical building to for university use.

Kyoto Concert Hall, Kyoto, 1995 Kyoto Concert Hall, Kyoto, 1995 Kyoto Concert Hall, Kyoto, 1995 Kyoto Concert Hall, Kyoto, 1995 Kyoto Concert Hall, Kyoto, 1995 Kyoto Concert Hall, Kyoto, 1995

By Isozaki Atelier

On 01, Dec 2012 | In | By Isozaki Atelier

Kyoto Concert Hall, Kyoto, 1995

One of the conditions of the limted competition for the Kyoto Concert Hall was that the 1800-seat large hall be of the shoebox type. All participants had to accept that condition. Seeking to explore other possibilities, we had just tried a variation of fan type in the 700-seat concert hall at the Art Tower Mito. In addition to the excentric layout, the seats that double as a performance platform for trumpets are assembled in a random manner.

Museum of Contemporary Art (winner), Stuttgart, 1990 Museum of Contemporary Art (winner), Stuttgart, 1990 Museum of Contemporary Art (winner), Stuttgart, 1990 Museum of Contemporary Art (winner), Stuttgart, 1990

By Igor Peraza

On 01, Dec 2012 | In | By Igor Peraza

Museum of Contemporary Art (winner), Stuttgart, 1990

In order to accomodate the increasing dimensions of art works, the pluralism of forms, complexity of composition and diversification of conditions, this proposal presents a system of galleries which offer a spatial environment of varying sizes, scales, proportions and lightening qualities. As the same time it is a design solution which, through its meandering form of circulation, allows visitors to perceive art works, as any museum of contemporary art should, through a direct experience space.